Narnia runs into more criticism
Posted on by Enitharmon

Today's Guardian carries a long piece by regular columnist Polly Toynbee, in which she suggests that British children will be largely oblivious to the Christian message of The Lion, The Witch, And The Wardrobe. But the iconography, which has been heavily touted by evangelical Christian groups on both side of the Atlantic, represents a muscular, macho Christianity 'that thinks might is proof of right.' And she invokes Philip Pullman in making her case: read more. Continue reading



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For the Love of Narnia
Posted on by Merlyn

With the first of the Narnia films hitting theaters next Friday, Pullman's comments about the books have frequently been mentioned. The Chronicle of Higher Education just ran an article attempting to refute Pullman's claim that the Narnia books are racist and sexist (among other things) by comparing them to His Dark Materials. Read More.



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Sherlock Holmes and the Limehouse Horror
Posted on by Kinders

Philip Pullman has written a play entitled, “Sherlock Holmes and the Limehouse Horror”, running at the OFS Studio Theatre from Tuesday 6 to Saturday 10 December. The Oxford Theatre Guild web site describes it as an “affectionate spoof on the great detective”, “full of excitement, disguise, humour and illusion,” and notes that “after each performance there will be an opportunity for the audience to talk to the cast and director about staging the play, the characters and what it’s like to act them, and so on. Pullman will join in this discussion on Tuesday 6 December.” Read more.



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Pullman interview featured on educational DVD
Posted on by Kinders

The National Secular Society reports that a new education resource aimed at Key Stages 3 – 5 has been produced to introduce school pupils to “issues of secular philosophies”. Why Atheism? comprises a DVD featuring six films about people who do not believe in God, including an extended interview with Philip Pullman (who is an NSS honorary associate). Read more.



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Philip Pullman's Aladdin
Posted on by

A long-time champion of children's theatre, Pullman has penned a new stage version of the classic story to go on show this December. ” My first Aladdin may have been a pantomime, or a Ladybird book, or a story in a child's edition of The Arabian Nights – I simply can't remember, and it doesn't matter. What mattered then was the sequence of wondrous events and the emotional colours they were suffused in: comedy, delight, suspense, fear, and not least that very suspect thing, the exotic, the oriental.” Read more. There's also an interesting article in the Independant about the current mini-revival of British panto, which features some quotes from Pullman – read it here.



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